Short story writing : a practical treatise on the art of the short story

(3 User reviews)   500
Barrett, Charles Raymond, 1874-1936 Barrett, Charles Raymond, 1874-1936
English
Hey, I just finished reading this old book about writing short stories, and I think you'd actually get a kick out of it. It's not a new release—it was published in 1900—but that's what makes it so fascinating. It's like a time capsule. The author, Charles Raymond Barrett, lays out all the rules for the 'perfect' short story as they were understood over a century ago. The main thing that grabbed me wasn't the advice itself, but the tension you feel on every page. Barrett is so confident in his formulas, but you're reading it knowing that the entire literary world is about to explode with modernism. Writers like Hemingway and Fitzgerald would soon smash every one of these 'rules' to pieces. So you're not just reading a writing guide; you're witnessing the end of an era. It’s a snapshot of a craft frozen in amber, right before everything changed. If you're curious about where our modern ideas of storytelling came from, or just love peeking into the past, this is a weird and wonderful little read.
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Let's be clear from the start: you don't read this book for cutting-edge writing tips. Charles Raymond Barrett's 'Short Story Writing' is a historical artifact, first published in 1900. It presents itself as a straightforward, practical guide. Barrett breaks down the short story into its component parts: plot, characters, setting, and style. He offers very specific, confident advice on how to construct what he considers a successful story, emphasizing a clear, single effect and a decisive conclusion.

The Story

There's no plot here in the traditional sense. Instead, the 'story' is the argument Barrett makes. He walks you through his prescribed method step-by-step. He talks about finding ideas, building a plot around a central conflict, creating 'true-to-life' characters (which often mean very typed, moral characters by today's standards), and using description carefully. The book is full of examples from popular authors of his day, writers most of us have never heard of. It's a complete system, presented with the absolute certainty of someone who believes he has figured out the definitive blueprint.

Why You Should Read It

This is where it gets interesting. Reading Barrett in the 21st century is a deeply meta experience. You're not just learning his rules; you're constantly measuring them against everything written after 1900. His insistence on poetic justice, his warnings against 'unpleasant' subjects, and his rigid plot structures feel incredibly dated. But that's the point. This book gives you a front-row seat to the conventional wisdom that the giants of 20th-century literature would rebel against. When he dismisses certain styles as ineffective, you can almost hear the young James Joyce or Virginia Woolf gearing up to prove him wrong. It makes you appreciate the creative courage it took to break these established molds. It also highlights how many of our basic storytelling instincts (like having a beginning, middle, and end) have surprisingly deep roots.

Final Verdict

This isn't for someone looking for a modern creative writing manual. Skip it if you want advice on writing your novel today. However, it's perfect for history nerds, writing enthusiasts curious about the craft's evolution, or anyone who loves a good literary paradox. It's a short, sometimes amusing, and always illuminating look at the 'rules' of an art form just before it was reinvented. You'll come away with a much richer understanding of why the short stories we love now look and feel the way they do.

Christopher Torres
1 year ago

Thanks for the recommendation.

Paul Clark
1 year ago

I have to admit, the narrative structure is incredibly compelling. I couldn't put it down.

Linda Scott
9 months ago

Enjoyed every page.

5
5 out of 5 (3 User reviews )

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